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In 1993, Walt Disney Productions acquired Miramax Films.
Known from the previous decade by making acclaimed films like Sex, Lies and Videotape, My Left Foot, and The Crying Game.
Disney purchased Miramax for a reported $60 million.
Under Disney, Miramax operators Bob and Harvey Weinstein retained creative independence at the studio. The deal gave Miramax access to Disney’s warchest to create new films.
Over the following years, hits like Pulp Fiction, Good Will Hunting and Shakespeare in Love would hit the big screen.
The Walt Disney Company acquired Capital Cities/ABC in 1995 to the tune of $19 billion.
It was the second-largest acquisition ever for Disney conglomerate, behind only their recent purchase of 21st Century Fox.
Through purchasing Capital Cities/ABC, Disney absorbed the major television network ABC, prolific sports cable channels ESPN/ESPN2, and lucrative partial stakes in Lifetime Television and A&E Networks.
Adding these television and media assets to their existing film, animation and consumer products divisions created an entertainment and broadcasting titan without parallel.
Disney leadership saw the writing on the wall—content was still king, but distribution would be the key to long-term dominance.
Owning ABC's slate of programming and cable sports access represented that distribution pipeline they craved. Though an expensive deal, the benefits from broadcasting synergies and increased ad revenues would fuel Disney's profits for decades hence.
The object of much fascination and scrutiny when announced, this ambitious acquisition of an important media corporation like Capital Cities/ABC exemplified Disney's shrewd business strategy.
Their laser focus on both creating and controlling content to maximum advantage has kept Disney at the apex of the American entertainment landscape since Walt himself first picked up a pencil.
After nearly two decades of an immensely lucrative partnership, The Walt Disney Company moved to solidify their relationship with computer animation pioneers Pixar in 2006 by acquiring the studio outright for $7.4 billion.
This deal included Pixar's brain trust—including visionary figures like John Lasseter, Ed Catmull and Steve Jobs—into the Disney fold.
Moreover, it gave Disney sole ownership over Pixar's wildly popular library of all-CG animated features like Toy Story, Finding Nemo and The Incredibles.
The economics were clear—Pixar's films reliably out-grossed those from Disney Animation while costing far less to produce.
Disney had watched as profits from traditional hand-drawn animation declined.
Meanwhile, the 3D-animated likes of Pixar, DreamWorks and Blue Sky Studios were loved by audiences.
So by acquiring the industry leader in Pixar, Disney was able both to reinvent their stale animation business and prevent a worthy rival from entering the market.
Bringing Pixar into the Disney ecosystem led to a creative revival for Walt Disney Animation Studios in later years.
It also terminated any distribution deals allowing competitors access to Pixar sequels or new projects—Disney would now reap those profits exclusively.
Wanting to expand their universe, The Walt Disney Company looked to comic books and acquired Marvel Entertainment in 2009 for $4 billion.
This gave Disney access to over 8,000 iconic Marvel characters like Spider-Man, Iron Man, Thor and the X-Men.
While other studios had licensed individual Marvel characters previously with great success, Disney could now coordinate that effort across film, television, consumer products and theme parks for maximum benefit.
Furthermore, Disney quickly established their own film studio specifically to produce Marvel Cinematic Universe content.
This allowed Disney to reap the full rewards of Marvel character roles and storylines played out serially across a cohesive movie universe.
Hits like The Avengers, Black Panther and Avengers: Endgame would ultimately gross billions for Disney, justifying their initial Marvel investment many times over.
Adding Marvel's pantheon of recognizable characters bolstered Disney's unrivaled array of intellectual property.
It also expanded their content appeal to demographics less likely to engage with traditional Disney animated fare. Disney parks could now leverage popular Marvel rides and attractions to great synergistic benefit as well.
Eager to reclaim rights to one of cinema's most valuable franchises, The Walt Disney Company announced in 2012 a $4.05 billion agreement to acquire storied production company Lucasfilm from founder George Lucas.
This deal delivered to Disney full ownership and creative control over the pop culture behemoth Star Wars.
Disney leadership saw immense unrealized potential in the Star Wars IP, which had lain dormant on film since 2005's Revenge of the Sith.
Beyond the much-anticipated future sequels, Disney now possessed endless ancillary revenue streams from toys, theme park attractions, TV shows, video games and more tied to the beloved Star Wars galaxy.
Moreover, the acquisition delivered Lucasfilm's vaunted visual effects division Industrial Light & Magic into Disney's fold.
Disney also secured the rights to Indiana Jones—another iconic Lucasfilm property ripe for synergistic film sequels, merchandising and theme park rides.
Though $4 billion seemed a staggering figure, Disney recouped their Lucasfilm investment many times over thanks to smash hit Star Wars sequels The Force Awakens and The Rise of Skywalker grossing over $2 billion each.
Owning the singular Star Wars IP cemented Disney's status as the preeminent commercial steward of cherished pop culture universes.
The Walt Disney Company made their largest-ever acquisition in March 2019—purchasing most of 21st Century Fox from News Corp for $71.3 billion.
This deal created an entertainment titan like the world had never seen.
In buying up the majority of Fox's film and television assets, Disney absorbed renowned entities like the 20th Century Fox movie studio, Fox's prestige indie label Searchlight Pictures, NatGeo cable channels, and a controlling stake in the Hulu streaming service.
Adding these assets gave Disney an even more formidable collection of intellectual properties, expanded their production capacity, and further locked down vital content distribution pipelines.
The deal also brought lucrative Fox franchises like Avatar, Planet of the Apes, Alien and The Simpsons into the Disney IP fold.
Disney leadership keenly understood the value of household content brands and content delivery networks in the evolving streaming wars epoch.
Though the cost was astronomical, consolidating Fox's assists served to fortify Disney's unmatched array of beloved film, TV and streaming products for the streaming age.
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